This new scale (Lydian with minor seventh) is called the Lydian Dominant scale, because the resulting chord has become a major chord with a minor seventh (F7). Like we covered earlier the lydian scale is almost the same as the major scale except it has a raised 4th (by a semitone) which is an augmented 4th. The Lydian scale, or mode, is the fourth of the seven musical modes. The Lydian mode is the brightest and happiest mode available in the major scale, as it takes the already very uplifting major scale, and simply adds yet another sharpened note to it. The name Lydian refers to the ancient kingdom of Lydia in Anatolia. The Lydian scale is the scale that appears when a major scale is played with the fourth note (fourth scale-degree) as the root. In this case, the scale we used before (Lydian mode) would have a change in its seventh degree (it would cease to be major and become minor). The Lydian Mode is the fourth of the seven modes. Let’s look and listen to it with a bit more detail. The lydian mode uses the formula of semitones and tones: T – T – T – S – T – T – S Which in half and whole steps is: W – W – W – H – W – W – H Degrees of the lydian scale. Using Lydian will help you craft chord progressions and melodies with a distinct sound that is arresting, haunting and effective. C lydian dominant over C7, E lyd dom over E7 etc.). You can see that Lydian scales are related to Major: the F Lydian is like a C Major played from F. The intervals in the Lydian Mode are also similar to the Major Scale, only the fourth note deviates. The Lydian Mode is the fourth mode of the Diatonic Major Scale. F Lydian Scale. Lydian scale for guitar. See also Lydian Dominant. If you aren’t taking advantage of how floaty and positive this mode can … The Lydian mode is a musical scale that uses seven tones. Lydian Mode. Thus, a C major scale played from "F" is an F Lydian scale. It begins with three whole tones, then a semitone, followed by two whole tones and finally, ending with a semitone. In Greek music theory, there was a Lydian scale or "octave species" extending from parhypate hypaton to trite diezeugmenon, equivalent in the diatonic genus to the medieval and modern Ionian mode (the major scale) (Barbera 1984, 233, 240). Basic Lydian Dominant Scale Theory So, from the video we know that lydian dominant works over dominant 7th chords with the same root (e.g. The Lydian mode is often described as the white keys on the keyboard from F-F’. It is similar to the major scale except for the raised fourth.